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・ Pieter Brueghel
・ Pieter Brueghel the Younger
・ Pieter Bulling
・ Pieter Burman the Elder
・ Pieter Burman the Younger
・ Pieter Burmann
・ Pieter Bustijn
・ Pieter Caland
・ Pieter Casteels II
・ Pieter Casteels III
・ Pieter Celie
・ Pieter Christoffel Wonder
・ Pieter Claeissens the Elder
・ Pieter Claeissens the Younger
・ Pieter Claesen Wyckoff
Pieter Claesz
・ Pieter Claude Bijleveld
・ Pieter Cnoll
・ Pieter Codde
・ Pieter Coecke van Aelst
・ Pieter Collen
・ Pieter Coolman
・ Pieter Coopse
・ Pieter Corbeels
・ Pieter Cornelis Boutens
・ Pieter Cornelis Dommersen
・ Pieter Cornelisz Kunst
・ Pieter Cornelisz van der Morsch
・ Pieter Cornelisz van Rijck
・ Pieter Cornelisz van Slingelandt


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Pieter Claesz : ウィキペディア英語版
Pieter Claesz

Pieter Claesz (c. 1597–1 January 1660) was a Dutch Golden Age painter of still lifes.
==Biography==

He was born in Berchem, Belgium, near Antwerp, where he became a member of the Guild of St. Luke in 1620. He moved to Haarlem in 1621, where his son, the landscape painter Nicolaes Pieterszoon Berchem was born.〔(Pieter Claesz entry ) in the RKD〕 He and Willem Claeszoon Heda, who also worked in Haarlem, were the most important exponents of the "ontbijt" or dinner piece. They painted with subdued, virtually monochromatic palettes, the subtle handling of light and texture being the prime means of expression. Claesz generally chose objects of a more homely kind than Heda, although his later work became more colourful and decorative. Claesz's still lifes often suggest allegorical purpose, with skulls serving as reminders of human mortality. The two men founded a distinguished tradition of still life painting in Haarlem. Pieter Claesz was influenced by the artist movement 'Vanitas'.

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